Most of the distortion is second order: Neumann KH 120 A Distortion Components at 2 kHz at 90 dB SPL. they are both professional tools with the larger speakers going slightly lower and louder - but no dsp! The Adam Audio’s A7X’s skeptics say they don’t sound very good in the low end and many aren’t happy with the distortion. Have you analyzed it? Keep in mind that Adam Audio puts in the manual that its important to break these monitors in first. I tried to message them, but … I bought the KH 80 DSP (x2) and the KH 750 DSP subwoofer (x1). I was wondering if anyone had any firsthand experience with these … The Neumann KH 120 D Active Studio Monitor with Digital I/O and Delay is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. However, if you need a good pair of monitors to mix on that you can rely on to give you a great translation, the Neumann KH 120’s are probably the better option. It is able to add DSP/EQ functionality not only to the KH 80 but also KH 120. Pairing a set of KH80DSPs with the 750DSP with give you a perfect match since the crossover filters are designed as HP = 1-LP using linear phase FIR filters. The Neumann KH 120 A Studio Monitor at Front End Audio. Why do you think I should stay away from the Focals? Product Comparison: JBL 705P vs Neumann KH 120 A. Advertiser Disclosure. ... Just avoid Focal and keep headroom in mind and you’ll do fine. I actually think the dual 5” Shape Twin might suit me well and I get that extra low frequency response (40Hz) compared to the 120 | 80DSP. It sounds so pure because they are directing every sound wave so precisely. i therefore would go the smaller speakers (with dsp). This site is a free online resource that strives to offer helpful content and comparison features to its visitors. If you are only doing stereo, it would be less costly to go for the KH 120A with the KH 805. Is it well treated? to me. It’s able to provide a nice top end and defined mid-range without sounding harsh. But they are small speakers and should only be used to judge tonal balance, control the stereo picture and hear what spot mics are doing. This can provide a more stable image while also incorporating depth, in a sense almost emulating a mono feedback (while maintaining its stereo qualities) which can be important in maintaining accurate mixes today across many platforms from hifi stereo speaker setups to the smallest mobile playback use cases. Already have an account? Enormous power reserves meet … MPC Live vs. AKAI Force: How Do They Compare? Neumann KH 120 A THD at 90 dB SPL at 1 meter. High clarity in the high end thanks to its ribbon tweeter. Please be advised … Have to second deedeeyeah unless you have a room and speaker placement that is such that you definitely do not feel like you need the DSP. More pronounced in the high end, although some see this as a con depending on use case. Enjoy. "headroom" is not really the point: one needs to do 'gain' or level matching between the d/a converter's control room output and the speakers' inputs unless the speakers got digital inputs; specs tell how much spl one can get - if that's not enough, one needs a more powerful amp/speakers. Late reply. Keep in mind this may only affect a limited stock number and could have been an error in a production run as some have noted. All of these things will be also be factors to consider when choosing a studio monitor setup. It has been a reference class for close-range monitoring since 2011. ... By poor qc, both my friend’s pair and my pair of CMS 65 sounded different and drastically different from the show model. The KH 80 DSP’s design is based on computer simulations that calculate with a level of accuracy that no one other than Neumann … For more info visit http://www.frontendaudio.com/Neumann-KH-120-A-p/9999-07032.htm. X. I'm considering the KH … With that said, at least some in the hard rock and heavy metal community seem to prefer the Adam Audio A7X’s saying that the 120’s are bit more muddy. Users of the Neumann KH 120 boast a more professional vibe to them for most all use cases. It’s better to just get a better monitor than spring for a sub later, which adds an additional crossover, an additional expense that could’ve been used on bigger monitors, and can be very hard to integrate for anything other than the “feel more than hear” frequencies even in a purpose built room. Since it provides a broader sweet spot for the KH 120’s, I would argue that in today’s mobile and ear-bud-heavy climate its definitely an asset. Shape 65 were better but too soft sounding in the low end. It seems as if you set "good speakers" = "low bass response". So if I get this right, you have compared a speaker (a show model) at location A and your upset that another speaker of the same model doesn't sound the same in another location B?

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