That’s a lot of microphone for the price, and holds up very well to the R-121 which is priced at $1,295. Yeah, in my shootout between the R10 and R121 the R121 had more extended top end and the R10 was generally darker and more wooly. Share Reply Quote. Please. Both microphones should be in every mic locker. Vintage King's Nashville showroom is available for curbside pickups. Released in 1998, the award-winning the R121 is Royer Labs flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. When I did the audio bounces for the demo video, I didn’t sum through the console, so no extra vibe or warmth was added. That went through my 4-710d to my Apollo 8. 6 . couple of comparison videos (Shawn Tubbs) and I liked the extra top end the R10 seemed to have. Guitarist Shawn Tubbs compares the Royer R-10 ribbon microphone, retailing for $495, to Royer’s flagship R-121 ribbon microphone.    Posted in Electric Guitar, R-10, R-121, Shawn Tubbs, Video. The R10 and R121 sound almost identical except that the R10 has a pronounced low end roll off which works better on high energy sources like guitar cabinets, brass and drums. Royer r121 vs Beyer m160 on guitars. 18 Customer Ratings. I'm considering finally investing in a Royer and am torn between going for the R10 or the 121. the m160 is one of my fav mic. Combining neodymium magnets and a patented direct-corrugation, off-set ribbon design, the transducer is the heart of all R-series microphones that followed. The Royer R-10 has a smooth, natural sound coupled with an impressive frequency response and substantial headroom, making it an excellent option for virtually any sound source, especially guitar amps, drums, brass and other exceptionally loud instruments. Search by Search by. £227. The R121 has a "plastic" type sound in the upper mids that I'm not crazy about. In the last set of samples, the first R-10 sample sounded more open but then the R-121 and following R-10 both sounded darker. 30 ML Drops + 100 Tablet Pack of Bio-Combination No. $527.98 + $27.82 Shipping. Royer mics are the standard bearers for ribbon microphones and the R-121 is the daddy of them all. If the R-121 doesn’t perform the way you’re hoping it to, the R-10 is a perfect compliment, still maintaining the overall character of the R-series ribbons, but less build up in the low end while delivering a bright and airy top end. Is the 121 or the ksm313 worth that much more $$$? 1.2 ELIGIBILITY RULES The contest is open to all residents of Canada who have reached the age of majority in their province of residence. Platinum Supporting Member. CAD Audio M179. The R-10 features a flat frequency response and a well-balanced sound-field and can handle SPLs up to 160dB at 1kHz. We had to put these microphones to the test and see how the R-10 matches up to the R-121, and I can say I was truly surprised with how the R-10 held up. I’ve always been a big fan of the R-121 for many years, it would probably be my desert island microphone because it’s good on just about every source from drums, brass, electric guitar and bass to acoustic instruments, strings and percussion. For this example, I think the R-10 took the win. Home studio, fun stuff, but want a representative ribbon/cabinet experience. I have the Beyerdynamic M160. If you're looking for a microphone to act as a perfect complement to digital recording systems, the R-121 is it. Total Price. Golden Age Project R1 Tube active. Royer R10 vs other Economic Ribbons Discussion in 'Amps, Mics & Pickups [DB]' started by 9_Lb_B_Twin, Dec 6, 2017. Joined: Feb 12, 2009 Messages: 8,424 Likes Received: 40 Trophy Points: 48. Throughout this blog, we’ll look at what makes each of these microphones special in their own regard and pit them against each other in a shootout on some different guitars and amplifiers. Mics used were the sE electonics Vr-2, Cascade Fathead, Royer R-10 and the AEA N-22. That said, the VR1 is no slouch and has an output level just shy of a Royer R121 and is perfectly decent for work with subtle acoustic instruments. Incredible quality and they sound impeccable. The R-121 redefined ribbon microphones so completely that Recording Magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century." In this installment of our drum overhead shootout series, we put 4 of our favorite ribbon mics head-to-head: the Royer R121, the Shure KSM 313, the Coles 4038, and the AEA R84. Si estás en Capital Federal (CABA), y querés que la entrega sea en el día o de un día para el otro mediante nuestra logística, tenés que optar por la opción : Although you wouldn’t guess it from the mic’s exceptional sonic performance and build quality, at $499 (or $1,048 for a matched pair), the R-10 is the most affordable Royer mic to date. Quick Links. 4. This allows the R-10 to be placed right up against an electric guitar cabinet or acoustic instrument without all the bass build up from a traditional ribbon microphone. The R121 has a "plastic" type sound in the upper mids that I'm not crazy about. The R-10 didn’t have as much build up in the lower frequencies and also had a crispier top end that sounded much closer to the amp in the room. Was thinking the m160 and r121 would be great together from the clips I have heard. Posted on April 4, 2019 April 4, 2019 by royerlabs. When you buy products through links across our site, we may earn an affiliate commission. I'm considering finally investing in a Royer and am torn between going for the R10 or the 121. Was thinking the m160 and r121 would be great together from the clips I have heard. Joined Jan 20, 2005 . I don't often write reviews for gear because it's so subjective, but I have to say, the Royer R10 has blown me away. The open grill configuration minimizes standing waves and associated comb-filtering effects. 16 Customers . … This website uses cookies to ensure you get the best experience on our website. We thought the R121 sounded very musical, though also quite coloured: it generally pushed up the upper mids more than any other mic on test, and we felt the sound was therefore quite spiky, though we also thought this might also help some vocals to cut through a mix more easily. I love the sound of ribbon mics. How much diff between a Royer R10 and 121. Similar to the R-121, the patented off-set ribbon design positions the ribbon elements towards the front of the microphone to handle the extreme SPL, with the option to use the rear of the microphone for a brighter frequency response when recording lower SPL. Reply. I'm considering finally investing in a Royer and am torn between going for the R10 or the 121. comared to the Royer R-121, and Shure Beta 57. ..PS. Nov 29, 2016 #3 Maybe it works well but I always kinda thought one advantage of most ribbon mikes was they were bi-directional so that it combined signal facing source and picked up source in a room. What mic would you go with and why? In this installment of our drum overhead shootout series, we put 4 of our favorite ribbon mics head-to-head: the Royer R121, the Shure KSM 313, the Coles 4038, and the AEA R84. Home studio, fun stuff, but want a representative ribbon/cabinet experience. Royer's R-121 is a favorite studio mic here at Sweetwater, with many of our Sales Engineers owning and using these microphones due to their flexibility and versatility. Because of the new windscreen design in the R-10, it didn’t capture as much low end as the R-121, and on a warm clean electric tone, that’s the stuff I’m looking for. Ribbon Mic Drum Overhead Shootout: Royer R121 vs. Coles 4038 vs. Shure KSM 313 vs. AEA R84. Thanks for any input or advice! I own a pair of VR1s and a Fathead II. It delivers classic ribbon warmth and smoothness with a distinct analog feel that has a reminisce of recording to a high-quality tape machine. Some mics get too flubby (the 121 could be accused of that), but the R10 just gets thicker and rounder, while still retaining some serious clarity in the midrange and high frequencies. The Royer R-121 and R-122 are unique in their components, design, and tolerances. On this specific example, I think the R-121 would be the winner. Posted on December 21, 2018 December 21, 2018 by royerlabs. Will the R10 get me close for nearly 1/3 the price? At around £600 for the VR1 and £900 for the VR2 these diminutive modernists are not cheap, but then nor is their performance. Tipps & Tricks Fragen (FAQ) Regeln. ", I have to muddy the waters for you. I'm considering finally investing in a Royer and am torn between going for the R10 or the 121. the m160 is one of my fav mic. All microphones were run through our Phoenix DRS8 mic pre , and into the first generation Apogee Symphony. First off, the proximity effect on the R10 is stellar. But I still wanted to demonstrate how both mics held up so close to the speaker. Apogee announces Element Series interfaces (Element 24, 46 and 88). The second setup was a Gibson Les Paul running through a Metropoulos GPM 45 on a dirtier rock setting. Terms and Conditions | Privacy and Security | Accessibility. One setup was a Fender Telecaster running through a Fender Super Reverb on a cleaner setting. Royer mics are the standard bearers for ribbon microphones and the R-121 is the daddy of them all. That’s a lot of microphone for the price, and holds up very well to the R-121 which is priced at $1,295. Dec 6, 2017 #1. Board-Mitarbeiter. Royer R-121 2 . The third setup was the Fender Telecaster running through a vintage Magnatone M-10 which had a slightly overdriven solid state sound. Hope it helps anybody else trying to decide between the two. Die Ansprache ist gut, die Dynamik ausgeprägt. If this were an actual recording session, I would’ve probably scrapped both microphones for this source, or at least tried moving them away from the amp or pair one of them with another style mic mentioned before. Golden Age Project R1 active Mk3 . 30 ML Drops + 100 Tablet Pack of Bio-Combination No. Incredible quality and they sound impeccable. The ribbon transducer’s flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. Sponsored by . Royer R-10 Ribbon Microphone Matched Pair LN. 16 customers have given this product a 5-star rating. I mic'd my Fender Twin with my r121 and the r10 right next to each other (same speaker), blasting a "super badass" distortion pedal by MXL connected to my Les Paul. That's interesting. Was thinking the m160 and r121 would be great together from the clips I have heard. I have the Beyerdynamic M160. Mics used were the sE electonics Vr-2, Cascade Fathead, Royer R-10 and the AEA N-22. The R10 is exceptional and great on guitars. CLICK HERE to listen to some apples-to-apples action. For the best experience on our site, be sure to turn on Javascript in your browser. Avantone CR-14. R121. It's most noticeable in the two distorted samples. Für meinen Sound habe ich mir etwas detailliertere Höhen gewünscht. The Royer R-121 is a radically redesigned ribbon microphone and Royer's flagship product. Same as the Metropoulos example, the R-121 was capturing too much low end information and wasn’t capturing the higher frequency detail. I've owned a R121 and recently got a R10. Guitarist Shawn Tubbs compares the Royer R-10 ribbon microphone, retailing for $495, to Royer’s flagship R-121 ribbon microphone. It's an integral piece of the magic of all Royer R-series microphones. Royer Labs R-101 Ribbon Microphone Guitar Mic. 5 out of 5 stars I’m interested in a ribbon mic for primarily guitar cabinet micing. £333. I use them on virtually any source apart from vocals where I'm slightly nervous of putting them anywhere near the vocalists mouth in case they blow on the ribbon! The result is a “classic” ribbon mic in a very compact housing. Messages 3,377. von islermusic, 22.11.18. For the demo, we did three styles of electric guitar. The proximity effect on the R121 is (to me) almost over-the-top. Royer R-121 vs R-122 MKII. Discussion in 'Backline' started by Lasse Lammert, Jun 9, 2012. On most of the examples, the R-10 was about 5-6 clicks above the R-121 on the Shadow Hills preamp. It’s not in the same class. The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: … Free shipping. How much different, or better if I may, is the Royer R121 from the R10? Comparing The New Royer R-10 Ribbon Microphone To The R-121, Royer R-10 Bi-Directional ribbon microphone. It’s small and lightweight, which allows you to position the microphone without any intrusion, and utilizes the same ribbon transducer. Ending Tuesday at 1:24PM PST 21h 16m. I've owned a R121 and recently got a R10. The Coles sound great with a really pleasant top end, but sometimes they can be a little too "pingy" on drums .. i.e.. the stick attack can get overbearing. This is where I would pair the R-121 with something like a Shure SM57 or Neumann KM84 or KM184, then do a volume blend between the two mics to dial in the tone that I’m looking for. Royer’s site has a lot of great info and videos about recording guitars. My experience with ribbon microphones at the BBC confirmed the relative fragility of the marque: drop the lid on the storage box or expose them to rapid movements of air (people blowing on them, for example) and there was every chance that the ribbon would tear. the m160 is one of my fav mic. The R121 takes advantage of modern, tight-tolerance machining technologies to make its housings and modern, high-field-strength magnetic materials to make its magnets. Acoustic Guitars A Designs AEA Article Avantone Microphones Bass Drum Pedals Bock Audio CharterOak Coles Cymbals DPA Microphones Eddie's Corner Electric Guitars Gear Reviews Gear … The R-121 had a smoother top end, but the R-10 had a bit more shine to it. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages Its compact size and mounting configuration allows for flexible placement with minimum intrusion. Consultar si este producto tiene ENTREGA GRATIS en Capital Federal (CABA) (Entregas de Lunes a Viernes de 9.30hs a 19hs). Among the small handful of ribbon mics in the under $500 category, it’s the only one that boasts nearly all positive reviews. Im Gegensatz dazu klingt das dynamische M88 recht drucklos in den tiefen Lagen, hat eine deutliche Höhenzeichnung, die allerdings stark schmiert und die Gitarre matschig klingen lässt. £3,699. The release of a new Royer studio microphone is always a reason for celebration, but that is perhaps even more the case with the new R-10 ribbon mic. In the comparison video I watched the R10 definitely had more bite/top end than the 121 which sounded darker. NashSG Member. Reactions: pbmw. The proximity effect on the R121 is (to me) almost over-the-top. The R-10 is priced at $499 which includes a road-ready hard case, proprietary threaded mic clip and felt bag to protect the microphone. Royer Labs R-122 MKII-Live Matched Pair. Davedog, Oct 24, 2017 #16. The R-10 is surprisingly affordable and is in the same sonic class as ribbon mics costing two or three times as much, making it … Maybe it was me but m160 on it's own is great. Just mic'd up a 2x12 Bogner cab today with the R10 and a SM57. £279. For assistance in better understanding the content of this page or any other page within this website, please call 888.653.1184 during normal business hours. For room mics, Coles. T. TAVD Guitar Player. The basic design of the Royer R121 is fairly conventional as ribbon microphones go, despite the adoption of sophisticated modern materials. Yeah, in my shootout between the R10 and R121 the R121 had more extended top end and the R10 was generally darker and more wooly. Ribbon Mic Drum Overhead Shootout: Royer R121 vs. Coles 4038 vs. Shure KSM 313 vs. AEA R84 SDC Drum Overhead Shootout: Miktek C5 vs. Schoeps CMC6 vs. Neumann KM184 vs. Peluso P84 Tags Royer R-10 Ich hab es gegen ein AEA R92 getestet - welches dann auch gewonnen hat - ist aber auch eine etwas teurere Preisklasse. Ribbon Mic Drum Overhead Shootout: Royer R121 vs. Coles 4038 vs. Shure KSM 313 vs. AEA R84; SDC Drum Overhead Shootout: Miktek C5 vs. Schoeps CMC6 vs. Neumann KM184 vs. Peluso P84; Tags. For the best experience on our site, be sure to turn on Javascript in your browser. Das liefert das R121 - das R10 kann da leider nicht ganz mithalten. I positioned both microphones right next to each other about 2” - 3” away from one of the speakers. The R-10 however handled the extreme volume of the amp and captured a near perfect picture of the sound. On the Metropoulos GPM 45 with the Gibson Les Paul, I dialed in a gritty Marshall style tube distortion. MB bei Facebook . API are a classic guitar pre and I’d love to have a Chandler TG2 for tracking guitars. The Royer Labs R-121 is a thoroughly modern ribbon microphone designed for today's studio and live environments, exhibiting a flat frequency response and well balanced, panoramic sound field. Jun 8, 2006 #5 Yes, the Royer(Or one of … Royer tackle this potential problem by using the same well-proven three-layer wire-mesh screen employed in the R-101 but, uniquely for a Royer mic, the familiar slotted grille arrangement has been replaced with a more conventional open grille. 5. Royer R-10 vs R-121 Quick Comparison Demo Video by Shawn Tubbs Posted on April 4, 2019 April 4, 2019 by royerlabs Guitarist Shawn Tubbs compares the Royer R-10 ribbon microphone, retailing for $495, to Royer’s flagship R-121 ribbon microphone.  API are a classic guitar pre and I’d love to have a Chandler TG2 for tracking guitars. Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. While I know there will always be studios that buy the R121, I kinda feel like Royer might have pulled the rug out from under themselves here, as I could comfortably ditch my other mics in favor of the R10 for electric guitar micing. Just mic'd up a 2x12 Bogner cab today with the R10 and a SM57. Audio … That's interesting. 5 . I'm not hearing that in the R10. What mic would you go with and why? The R-121 is Royer’s flagship microphone, which utilizes the groundbreaking R-series ribbon transducer. Kris . I think something was changed "behind the scenes. The R-121 Live is a R-121 with a thicker ribbon manufactured specifically for use on the live stage. I'm not hearing that in the R10. 9_Lb_B_Twin. A 2.5µm-thick pure-aluminium ribbon is supported between the poles of a powerful rare-earth neodymium magnet assembly. I don't … Each provides a complimentary emphasis to the other, giving a nice full range sound. I wonder if Royer makes any microphones in pink? The R-121 can stand alone by itself and capture a pure representation of just about any source you put in front of it, but many engineers like to pair this mic with either a dynamic or condenser. T. TeddyG. Royer R121. The R-121 has a slim, sleek and durable design, which can handle high SPLs that would shred an older style ribbon microphone. Hallo Ich bin auf der suche nach DEM idealen Mik um einen Gitarrenamp abzunehemn. Hier drückt das Royer R-10 ganz schön, bietet ein Klangbild, das nahe an den Hörer heranrückt, in den Höhen aber etwas belegt klingt. JavaScript seems to be disabled in your browser. Royers and Fatheads are designed to mic loud sources, but some ribbons aren't. Royer’s site has a lot of great info and videos about recording guitars. 39 . I’m interested in a ribbon mic for primarily guitar cabinet micing. It also has a lower output than a 121, so I wouldn’t pick it to use with an interface preamp. How much different, or better if I may, is the Royer R121 from the R10? Last week I was introduced to the new Royer R-10 Bi-Directional ribbon microphone. The introduction of the R-121 brought ribbon microphones back into mainstream recording and found its way into almost every professional recording facility around the globe. $922.24. It has a wide dynamic range with a rich low end and has the ability to take large amounts of EQ if necessary. Royer R-10 vs R-121 Quick Comparison Demo Video by Shawn Tubbs. Chunky is a good word. I know the 121 is the mic for that sound. The R-10 did however capture more detail in the higher frequencies than the R-121. Im Board seit: 20.01.15 Zuletzt hier: 26.11.18 Beiträge: 12 Kekse: 0 Erstellt: 22.11.18 #1. Does anyone have any experience recording double bass with the Royer R10? £217. The 2.5 micron offset ribbon delivers fidelity, durability and a slightly brighter response from the rear of the microphone when used within three feet of any sound source, providing more tonal choices to work with. I used one for my contribution to the forum fuzz … I don't … The preamps were feeding directly into our Burl Audio converters which then fed the line inputs of the Tree Audio Roots console. It sets itself apart from the R-121 with its custom-designed impedance-matching transformer which minimizes saturation. Incredible quality and they sound impeccable. Royer R-121 Ribbon Microphone. R10 definitely sounds brighter in these examples too! Here's my finished video comparison on electric guitars. For room mics, Coles. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. ROYER LABS R-10 MICROFONO RIBBON Muy importante!!! royer r101 vs r121,royer r121,rugged cell phone nz,rugged mobile phones nz,rugged phones nz,rugged smartphone nz,rugged smartphones available in nz: MRP 350/-Nazla Killer Drops + BC 5 Tablets. UPDATE: since this article seems to get an enormous number of pageviews, I thought I should mention that we did in fact carry-out the intended shoot-out of the mod’d R40 versus a range of other similar ribbons (with a Royer R121 as the ‘control’ sample. royer r101 vs r121,royer r121,rugged cell phone nz,rugged mobile phones nz,rugged phones nz,rugged smartphone nz,rugged smartphones available in nz: MRP 350/-Nazla Killer Drops + BC 5 Tablets. Royer R-10 vs R-121 Quick Comparison Demo Video by Shawn Tubbs. If you have any questions about either the Royer R-10 or Royer R-121, please contact one of our Vintage King Audio Consultants by email or phone at 888.653.1184. This microphone is very different from older ribbon mics which were typically large, heavy and fragile. May 27, 2014 #2 r121=fat low/mid bump ksm313=leaner/flatter low/mid, more condensor like. When I listened back to the results, I was shocked on how close the R-10 sounded to the R-121. Yeah, in my shootout between the R10 and R121 the R121 had more extended top end and the R10 was generally darker and more wooly. I use them on virtually any source apart from vocals where I'm slightly nervous of putting them anywhere near the vocalists mouth in case they blow on the ribbon! The modernists. Controller and ilumination ID Name Designator Footprint Quantity; 1: LDD-1500H: U1,U2,U3,U5: LDD-H: 4: 2: 220uF: C5,C7 Both microphones should be in every mic locker. With the Magnatone M-10 and the Telecaster, I was going for a slightly overdriven solid state distortion tone. I've only played through the royer 101 and thought it was an excellent sounding mic! Share this: Click to share on Twitter (Opens in new window) Click to share on Facebook (Opens in new window) Click to share … read more… Payment & Returns. The R-10 is very similar to the classic R-121 in design. I own a pair of VR1s and a Fathead II. Now I would love to own a Royer as it is a third generation modern ribbon microphone and really sounds nothing like the earlier second-generation Beyer 160/130 series or the original RCA 44/77 or Coles British ribbon. I've been playing with this for about an hour and as I A/B the guitar parts with each mic, I'm sorry to say the R10 only highlights how detailed, deep and 3-dimensional the R-121 is. The multi-layered windscreen reduced the low end information, but still captured all the weight from the speakers and allowed more of the higher frequencies to cut through. I just got my Royer … The proximity effect on the R10 is a little less extreme. Well-Known Member. Leer atentamente!!! Royer did away with the large, heavy, fragile, "classic" approach to ribbon microphones and went in a completely new direction. Its ability to withstand 135 dB SPL @ 30 Hz makes it ideal for applications that were previously considered off limits to ribbon microphones. Of these, 13 customers have written no texts or given their feedback in another language. With that being said, I think the R-10 took the win on this setup as well. Are you using a preamp with the mics? The proximity effect on the R10 is a little less extreme. The Royer R-121 v.s R-10 Re: Royer R-121 vs AEA R-84 « Reply #13 on: March 12, 2009, 10:42:48 am » Just to add another contender, I'd like to hear people's opinions on the R84 v. the Coles 4038. I'd figure this might not be as advantageous in a sealed … I use them on virtually any source apart from vocals where I'm slightly nervous of putting them anywhere near the vocalists mouth in case they blow on the ribbon! Enter Royer. Each provides a complimentary emphasis to the other, giving a nice full range sound. Last updated: Jul 24, 2020 | Recording Advice | AEA, Coles, Gear Shootouts, Royer, Shure. In direct comparison, this range response is closer to the Coles 4038 than the more 'mid-forward' Royer R121, both of which we used in side-by-side tests. Watch our microphone shootout featuring the Royer R-121 and R-10 below and continue on to read more about these incredible microphones. On the Fender Super Reverb with the Telecaster, I dialed in a warm clean tone with some lush reverb. Share Tweet. Messages 3,689. Post navigation ← The Royer Labs dBooster. Without any EQ applied to this microphone or pairing it with anything else, I think the tone would sit great in a rock or blues style recording. Both microphones were running through a Shadow Hills GAMA preamp on the steel setting, no additional EQ or compression. © 1993 - 2021 Vintage King Audio All Rights Reserved. In the comparison video I watched the R10 definitely had more bite/top end than the 121 which sounded darker. The R-121 would be used for all that low end and the other mic would try and focus on the mid-range or higher frequencies. Hand-built in our Burbank California factory, the R-10's sound and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. In the live room, the amp didn’t really have all that much low end information, but when listening back in the control room, it seemed like it was booming with low end information. Ist aber für den Preis ein echt tolles Mic und ich bin sowieso großer Royer Fan. It wouldn’t always be my first choice on how to mic an electric guitar cabinet, but I wanted to show the differences between the two mics proximity effect and have more direct source signal than room tone. The R-101 incorporates Royer’s patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. I mix a lot of stuff tracked by others and get the occasional session that has Coles on the drums. The R-10 is priced at $499 which includes a road-ready hard case, proprietary threaded mic clip and felt bag to protect the microphone. Like most ribbons, the Royer R-121's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. I know the 121 is the mic for that sound. Royer mics are the standard bearers for ribbon microphones and the R-121 is the daddy of them all. The microphone also includes a new multi-layered windscreen that provides superior protection from plosives and air blasts, which also reduces the proximity effect.

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